Rolls at 80 gauge
Hand and machine, written as spec lines.
| Hand | 18 in x 1,500 ft x 80 ga · 3 in core · 4 rolls a case |
|---|---|
| Machine | 20 in x 5,000 ft x 80 ga · 3 in core · about 9 in across · about 32 lb |
| Machine stretch | Up to 250% on a powered carriage |
| Made | Cast or blown |
What 80 gauge means
0.8 mil, the gauge most rolls are sold in.
Gauge counts hundredths of a mil, so 80 gauge is 0.8 mil, about 20 micron. It is the figure printed on the two rolls most buyers know: the 18 inch by 1,500 foot hand roll, four to a case,2 and the 20 inch by 5,000 foot machine roll, which in one listing is rated for loads up to 2,500 pounds.3 The buying guide gives 70 to 80 gauge for loads of 2,200 to 2,400 pounds.1
It is also the gauge the industry has been leaving. One wrapper maker says typical film went from 80 gauge to an average of about 65 over fifteen years, because powered carriages stretch thinner film further.4 If you wrap by machine at 80, there may be film to save; if you wrap by hand, 80 is still the sensible default.
Up to 90, down to 70
When to leave 80.
Go up to 90
- Loads past 2,400 pounds, up to about 2,600.1
- Sharp corners or edges that start tears.
- Pallets that arrive leaning after a long haul.
Hand or machine at 80
Same number, different film on the load.
By hand, an 80 gauge roll stretched modestly puts film close to its own thickness on the pallet, which is why it is a safe all-rounder for mixed docks. On a turntable stretching 200 percent or more, the same roll lays down a far thinner web, so a machine at 80 is often holding with plenty to spare. That is where sites look first when asked to cut film: drop a step, keep the pattern, and check containment force.
80 is also the easiest gauge to buy. Almost every supplier stocks 18 inch hand rolls and 20 inch machine rolls at 80 in both cast and blown, so it is quick to compare quotes like for like.
Writing 80 gauge into a specification
Say more than the number.
A packaging specification or tender that says only "80 gauge stretch film" invites quotes for very different products. Add the type (cast or blown), cling (one side or both), width, length, core, and whether the gauge is true or equivalent. State the loads it must hold and how they are wrapped. That way every supplier quotes the same thing, and the cheapest bid is genuinely cheaper rather than shorter, thinner or harder to stretch.
Common faults at 80
And what they mean.
Tails that peel loose suggest one-sided cling film being used by hand; ask for two-sided. Holes at carton corners point to blown film or corner boards. A slack wrap on a turntable often means a worn brake or pre-stretch roller rather than the film.
Asked about 80 gauge
- Why is 80 gauge so common?
- It is a safe middle: thick enough for most loads of cases wrapped by hand, and the gauge most listed hand and machine rolls are sold in.
- Should my wrapper be running 80 gauge?
- Perhaps not. With a powered carriage stretching 150 percent or more, many sites can hold the same loads on a lighter film. Test before changing.
- Is 80 gauge cast or blown?
- Both. The 18 inch hand roll in one listing is blown; the 20 inch machine roll in another is cast.
- Should we change to blown and drop a gauge at once?
- Change one thing at a time. Switch type first, measure, then try the lighter gauge, so you know which change made the difference.
Sources
- AAA Polymer, "A guide to buying stretch wrap film" (reviewed 2026-11-13)
- Interplas, 18 in x 1,500 ft x 80 ga blown hand stretch wrap (product listing) (reviewed 2026-11-13)
- Uline, machine-length cast stretch film, 80 gauge, 20 in x 5,000 ft (product listing) (reviewed 2026-11-13)
- Lantech, "Blown vs. cast: how is stretch film made?" (reviewed 2026-11-13)
Facts on this page last reviewed 2026-11-13.
Ask for a quote on 80 gauge film
80 gauge is quoted by the case of hand rolls or the pallet of machine rolls. Give the width and how many a month.
- Step 1 asks what you need, how much a month, the delivery ZIP and how to reach you
- Step 2 asks the film, the width and the gauge; skip what you don't know